Bill  Lundberg


 

 

 Born: Albany, California,  l942

Education:  B.A. in Art,  "With Great Distinction," San Jos State University, San Jose, Calif.- 1964; M.A. in Art,  University of California,  Berkeley,Calif.- 1966

Employment:

Lecturer, New England College, Arundel, Sussex, England - 1971-1974
Lecturer,  Parsons School of Design, New York - 1984-1985
Lecturer,   University of Texas at Austin - 1985-1986
Assistant Professor,  University of Texas at Austin - 1986-89
Professor, University of Texas at Austin - 1999

One-Man Exhibitions:

1999 - "Bill Lundberg,"   Blanton Museum, University of Texas at Austin.
1998 - "Bill Lundberg," ArtPace Foundation,  San Antonio, Tx.
1997 - "Swimmer, "  Living Arts Space, Tulsa, Ok.
1995 - "Bill Lundberg - O Mito de Cada Um"  Galeria de Arte, Instituto Brasil- Estados Unidos,  Copacabana and  Madureira, Rio de Janeiro, Catalog with introduction by  Esther Emilho Carlos
1995 - "Bill Lundberg - Estrela Guia"   Galeria SESC Paulista, Sao Paulo.Catalog          with introduction by Paulo Herkenhoff
1995 - "Sound Installation for Pans"  Museum of Santa Catarina, Florianopolis
1992 -  Museu de Arte Contemporanea da Universidade de Sao Paulo, Brazil
1992 -  Solar Grandjean de Montigny, Centro Cultural da  PUC, Rio de Janeiro, Brazil
1991 - Center for Research in Contemporary Art, UT Arlington,Texas
1989 - Langford Architecture Gallery, Texas A & M University, College Station, Texas
1987 - Espace Lyonnais d'Arte Contemporain, Lyon, France
1987 - Emily Davis Gallery, University of Akron, Ohio
1984 - Carnegie Institute Museum of Art, Pittsburgh, Penn.
1982 - Whitney Museum of American Art, New York City
1981 - Art Department Gallery, San Jose State University, San Jose, Calif.
1980 - P.S.1, Long Island City, New York
1979 - Otis-Parsons Gallery, Los Angeles, Calif.
1979 - National Association of Television Producers, Time-Life Television, MGM           Grand Hotel, Las Vegas,
1978 - John Gibson Gallery, New York City
1978 - Collective For Living Cinema, New York City
1977 - Ellen Sragow Gallery, New York City
1976 - Museum of Art, University of Michigan, Ann Arbor
1976 - Detroit Institute of Arts, Detroit, Michigan
1976 - Kalamazoo College, Kalamazoo, Michigan
1975 - Flint Institute of Arts, Flint, Michigan
1975 - Ellen Sragow, Prints on Prince Street, New York City
1975 - Institute of Contemporary Art, London, England
1974 - The Photographers' Gallery, London, England
1974 - Art Meeting Place, London, England
1972 - Gallery House London, London, England

Two Person Exhibitions:

1995 - "Regina Vater and Bill Lundberg - Do Dentro Vem o Fora. Do Fora Vem o  Dentro" - SESC Itaquera, São Paulo
1990 - "Bill Lundberg - Regina  Vater," Bridge Center for Contemporary Art, El Paso, Texas

Group Exhibitions:

2000 - "Mirrors Edge,"  BildMuseet,  Umea, Sweden,  Vancouver Art
2001 -  Gallery,  Castello di Rivoli, Torino,  Tramway, Glasgow
1998 - "Texas Wired,"  Contemporary Art Space, Ft, Worth
1997 - "New Genre 97, "  Living Arts Exhibition Space,  Tulsa
1997 - "1997 Critics Choice."  Dallas Visual Arts Center, Dallas
1996 - "Retablos."   Mexicarte Museum,  Austin
1996 - "Conceptual Photographs IV",  John Gibson Gal., New York
1994 - "Old and New Masters of Super-8".  Anthology Film Archives,  Newk
1993 - "The 34th Annual Invitational," Longview Art Museum Longview,exas.
1993 -  Funiarte, Cultural Institure of Rio de Janeiro
1992 - "Installation,"  Mexic-arte, Austin, Tx.
1991 -  "Trance-Medial"  Austin, Texas
1991 - "World Disorder,"  The Cultural Space, New York City
1989 - "Derrickson, Dos Santos, Lundberg, Stone," Tomoko Liguori Gallery, New York City
1989 - "A Century of Texas Sculpture,"  Huntington Art
1990 - Gallery, U T Austin,  and Traveling Exhibition to Amarillo Art Center, Amarillo, Art Museum of the Southwest, Corpus Cristi, San Angelo,  Museum of Fine Art, San Angelo, Tx.
1988 -  "The Texas Trienniual Traveling Exhibition,"
1990 - Art Museum of Southwest Texas, Beaumont,  Lubbock Fine Arts Center, Lubbock,  Texas A&M University,  College Station, San Angelo Museum  of Fine Arts, San Angelo,   Center for Research in Contemporary Art, Arlington, Tx., Art Museum of South Texas Bridge Center for Contemporary Art, El Paso, Tx.
Center for Research in Contemporary Art, Arlington, Tx., Art  Museum of  South Texas, Bridge Center for Contemporary Art, El Paso,Tx.
1989 - "Contemporary Texas Photographers,"  Forum Gallery,  Brookhaven  College,  Farmers Branch, Texas
1988 - "The Texas Triennial,"  Contemporary Arts Museum, Houston
1988 - "Art From Austin, "   Blue Star Gallery, San Antonio, Texas
1988 - "This Is Not A Photograph, Twenty Years of Large Scale Photography", Chrysler Museum of Art, Norfolk,  Virginia, Akron Art Museum, Akron, Ohio
l987 -  "This Is Not A Photograph, Twenty Years of Large Scale Photography",  Ringling Museum of Art, Sarasota, Florida
l987 -  "Art That Moves,"   Laguna Gloria Museum, Austin, Tx.
l987 -  "Texas Sculpture Symposium," San Antonio, Tx.
l987 -  "Installations," Blue Star Gallery, San  Antonio, Tx.
l987 -  "The l987 Phoenix Biennial." Phoenix Museum ofArt, Phoenix, Ariz.
l986 -  "Stopped Time,"  The Rockland Art Center,  Nyack, N.Y.
l985 -  "Stopped Time,"  The Sculpture Center, New York, N.Y.
l985 -  "A Passage Repeated,"  The Long Beach Museum of Art, Long Beach, Calif.
l984 -  "Artpark At Manhattan Art," Manhattan Art Gallery, New York, N.Y.

Visual arts  [films,videos and installations]

l984 - "Nocturne," Film sculpture, Art Awareness Gallery, Lexington, N.Y.
l984 -  "Message and Metaphor," Art Awareness Gallery,  Lexington, N.Y.
l983 - "The Whitney Biennial Exhibition," WhitneyMuseum, New York, N.Y.
l983 - "Film As Installation,"  The Clocktower, NewYork, N.Y.
l982 - "Ten Years of Living Cinema", the Collective for Living Cinema, New York, N.Y.                 
l982 -  "Ten American  Artists,"  John Gibson Gallery, New York City
l982 - "Drawing Distinctions: American Drawings of the Seventies,"  Stadtisch Galerie Im Lenbachhaus, Munich, Germany. Kunsthalle, Basel, Switzerland.
Louisiana Museum of Art,  Wilhelm-Hack Museum, Ludwigshafen. Fed. Republic of Germany
l98l - "Installations: Film & Video,"  Thorpe  Intermedia Gallery, Sparkhill, New York
l980 - "Extensions of Photography," University of California , Santa Barbara,  Calif.
l980 - "Concept, Narrative,Document," Museum of Contemporary  Art, Chicago. Contemporary Arts Center, Cincinnati, Ohio. Josylyn Art Museum, Omaha, Nebraska.  Des Moines Art Center, Des Moines, Iowa. Los Angeles County Museum, Los Angeles, Calif.
l980 - "Film As Installation,"  The Clocktower, New York, N.Y.
l979 - "Kunstmarkt,"  Kunsthalle, Basel, Switzerland
l979 - "Structure II,"  John Gibson Gallery, New York, N.Y.
l978 - "Structure,"  John Gibson Gallery, New York, N.Y.
l978 - "Structure,"  Gallerie Hetzler & Keller,Stuttgart, Germany. Studio d'Arte Canneviello,  Milan, Italy
l978 - "Avant-Garde Film in Great Britain,"  Centre Beaubourg,  Paris, France
l977 - "Perspectives on Avant-Garde Film," Hayward Gallery, London, England.
l977 - "The Artist's Book,"  Mandeville Art Gallery, University of California at San Diego, La Jolla, Cal.
l976 - "Illusions In the Gallery,"  Mandeville Art Gallery, University of California at   San Diego,  La Jolla, Calif.
l976 - "Photography As A Means,"  Boehm Gallery, Paloma   College, San Marcos, Calif.
l975 - "Art Film Tour,"  Arts Council of Great Britain and the Welsh Arts Council
l975 - "The Video Show,"  The Serpentine Gallery, London.
l975 - "Progresssionen l,"  Cologne,   Germany.
l972 - "Art/Video Confrontation,"  Musee d'Art Moderne, Paris
l972 - "Artist's Films,"  Walker Art Gallery, Birmingham, England
l972 - "Christmas Show,"  Gallery House London, The Goethe Institute,  London, England
l972 - "A Survey of the Avant-Garde In Great Britain: Part l, Gallery House London, The Goethe Institute, London
l972 - "A Survey of the Avante-Garde  In Great Britain: Part 3, Gallery House London, The  Goethe Institute, London.
l972 - "Grazer Kunstmarkt,"  Graz, Austria
l972 -  The Photographers Gallery,   London, England.

Grants and Awards:

2000 -  University of Texas Faculty Research Award
1999 - ArtPace Foundation Residency Grant,  San Antonio, Tx.
1997 - Summer Research, College of Fine Arts, UT
1996 - Special Research Grant,  University of Texas
1994 - University of Texas Faculty Research Award
1993 - College of Fine Arts Teaching Excellence Award, UT
1992 - Fulbright Fellowship as Artist-in-Residence at the Museu de Arte Contemporanea, Sao Paulo
1991 - National Endowment For The Arts, Fellowship in New Genre
1990 - College of Fine Arts Summer Research Award, University of Texas at Austin
1989 - College of Fine Arts Teaching Excellence Award,UT
1989 - College of Fine Arts Summer Research Award, University of Texas at Austin
1989 - Murchison Fellowship, University of Texas at Austin
1988 - University of Texas at Austin Summer Research Award
1988 - College of Fine Arts Teaching Excellence Award, UT
1985 - New Jersey Council on the Arts, Artists Grant
1984 - Creative Artists Public Service Grant, New York State
1981 - John Simon Guggenheim Memorial Foundation Fellowship
1977 - National Endowment for the Arts, Public Media Grant
l975  - Arts Council of Great Britain, Artist's Award
l974  - Arts Council of Great Britain, Artist's Award
l973  - Arts Council of Great Britain Filmmakers Grant
1964 - Phi Kappa Phi National Honor Society
1963 - Tau Delta Phi Honor Society


Work in Collections:

       Guggenheim Museum,  New York City
       Morton Neumann Family Collection,  Chicago, Ill.
       Dr. Louis Lambelet, Basel, Switzerland
       Thomas Grasland, Stuttgart, Germany
       Le Jeune Family Collection,  Brussels, Belgium
       Enzo Canneviello, Milan, Italy
       John Gibson, New York, N.Y.
       Museum of Art,  Rhode Island School of Design
       Museu de Arte Contemporanea da Universidade de Sao Paulo
       Museu de Arte Moderna de Niteroi, Niteroi, Brazil
       Jua and Fernanda Haffers, New York, N.Y.
       Linda Pace, San Antonio
       ArtPace Foundation, San Antonio
       Francesco and Giovanna Rosso del Brenna, Milan,  Italy
       Luiz D. Villares, Sao Paulo, Brazil
       Fatima Bercht, New York, N.Y.
       David Jackson, Austin, Tx.
       Aurora Gallagher, Austin, Tx.
       Affonso Romano de Sant'Anna, Fundacao Biblioteca Nacional,
       Rio de Janeiro
       Augosto de Campos, Sao Paulo
       Evandro Texeira, Rio de Janeiro
       Ana Mae Barbosa, Sao Paulo
       "ESTRELLA GUIA" in collection of Museum of Santa Catarina,
       Florianópolis.
       Four Petrópolis series in collection of SESC Itaquera, São Paulo
       Two Petrópolis series in collection of SESC  Paulista
       Three Petrópolis series in collection of ITAU Bank,  São Paulo
       One  Petrópolis series in collection of Celina Neves,  São Paulo
       One Petrópolis series in collection of Instituto Brasil-Estados Unidos, Rio de Janeiro 

Invited Lectures:

1999 - Chicago Institute of Art
1999 - Lecture on my work at The Exploratorium,  San Francisco. Calif.
1999 - "Bill Lundberg"  San Jose State University,  San Jose, California.
1995 -"Inventando o Imagem." Universidade Estacio de Sa,  Rio de Janeiro
1995 - "Arte Contemporanea e Arte Sobre o Ponto de Vista Criativa",  Casa da Cultura,  Teresina, Piauí               
1995 -"Persistance of Vision,"  Lecture on video art and on my  work at  SESC  Paulista,  São Paulo
1995 - "Seminario Teorico Sobre Video Arte,"  Bill Lundberg and Regina Vater at the Museum of Santa Catarina, Florianópolis
1995 - Panal speaker on Art and Ecology for "Um Abraco Verde", SESC  Itaquera,           São Paulo
1995 - "Bill Lundberg- Persistencia da Visao"  Lecture at the Universidade Estácio           de Sá, Rio de Janeiro
1993 - "Segundo Dialogo Cinevideo", Cultural Foundation of  Bahia, Salvador,
          Bahia.
1993 - Escola de Artes Visuais do Parque Lage, Rio de Janeiro
1993 - Brazilian American Institute, Washington, D.C.
1993 - Funiarte, Cultural Institute   of Rio de Janeiro
1992 - Museu de Belas Artes, Rio de Janeiro
1992 - Museu de Arte Contemporanea, Sao Paulo, Brazil
1992 - Universidade Federal da Mato Grosso, Cuiaba, Brazil
1992 - Universidade Federal de Minas Gerais , Belo Horizonte ,  Brazil
1991 - Center for Research in Contemporary Art, University of Texas at Arlington
1990 - University of Texas at El Paso
1987 - University of Akron, Akron, Ohio.
1987 - "Installation Art,"  Laguna Gloria Museum, Austin, Tx.
1984 - Carnegie Institute Museum of Art, Pittsburgh,  Penn.
1984 - Message and Metaphore,"   Art Awareness Gallery, Lexington, N.Y.
1982 - Whitney Museum of American Art,  New York, N.Y.
1981 - Art Department, San Jose State University,  San Jose, Calif.
1976 - Detroit Institute of Arts, Detroit, Michigan.

Bibliography:

  • Isaac Ribeiro - "A Arte Conceitual pede passagem", Tribuna do Norte
    -Section "Viver" front page, Sunday, October 15, 2000.  Natal, Rio Grande do Norte.

  • Chrissie Iles, "Bill Lundberg," Catalog for ArtPace Foundation, San Antonio, 1999.

  • Nancy Bless, "Bill Lundberg," Catalog for Blanton Museum, University of Texas at Austin, 1999.

  • Rebecca S. Cohen, "Tubes of Art," The Austin Chronicle, p. 30, section: Exhibitionism, September 11, 1998.

  • Roger Welch, "ArtPace displays the good, bad and the ugly and a lot of... stuff," San Antonio Express-News, San Antonio, Texas, October 8, 1998.

  • Katherine Wagner, ed., "1997 Critic's Choice," Catalog for Dallas Visual Art Center, Dallas, Texas, May 23, 1997.

  • Janice McCormick, "Beyond Skylines and Cowboy Myths," Urban Tulsa
    Weekly, August 28 - September 3, 1997.

  • Madeline Irvine, Austin American-Statesman, 1996.

  • Leda Guimarães, Viriato Campelo, "Regina Vater e Bill Lundberg:
    Seminario de arte contemporanea,"  Presenca,  Fundacao Cultural do Piauí, 1996, p.12-16.

  • Claudia Miranda, "Uma fronteira feita de telas," Tribuna BIS, Rio de
    Janeiro, Brazil,  March 7, 1995.

  • Paulo Reis, "Atencão", Programa, Rio de Janeiro, Brazil, March 1995.

  • Paulo Herkenhoff, "Estrela guia Bill Lundberg", Serviço Social do Comercio, São Paulo, Brazil, May 25, 1995.

  • Esther Emilio Carlos, "Bill Lundberg: o mito de cada um", Catalog for
    Instituto Brasil - Estados Unidos - Galeria de Arte; New York, New York, January 1995.

  • Leda Guimarães, "Intercâmbio Teresina-Texas", Meio Norte Alternativo,
    Teresina, Brazil, July 10, 1995.

  • Marcio G., "Noir," Tribuna Bis, São Paulo, Brazil, 1995.

  • Neyse Cunha Lima, "Transmídia propõe a arte que modifica a realidade", Correio da Bahia, Bahia, Brazil, June 18, 1993.

  • Marco Antonio Martins, "Artistas premiados doam suas obras",Fluminense, Rio de Janeiro, Brazil, June 15, 1993.

  • Denise Moraes, "Formas da 'transmídia", Jornal do Brasil, Rio de Janeiro, Brazil, October 27, 1992.

  • Jacques Kalbourian, "Regina Vater/Bill Lundberg:  O compromisso da
    arte Materialismo ignora-o/ é com o novo mistério da vida," Rio Artes,
    Rio de Janeiro, November 1992.

  • Álvaro Machado, "Bill Lundberg ensina 'Transmedia' no MAC," Folha de
    São Paulo, São Paulo, Brazil, 1992.

  • Irma Arestizabal, "Regina Vater/Bill Lundberg Instalações," Catalog
    for Centro Cultural da Puc - Rio, Rio de Janeiro, Brazil, 1992.

  • Tom Moody, "Bill Lundberg", Art Papers, November - December 1991, p. 111.

  • Janet Tyson, "Piling on the paint in imaginary studios", Fort Worth
    Star-Telegram, Fort Worth, Texas, September 26, 1991.

  • Bill Lundberg, "Compass and Curriculum", from Catalog "Bill Lundberg," for CRCA, The University of Texas at Arlington, Arlington, Texas, 1991.

  • Terence Grieder, "Artist and Audience", University of Texas at Austin; Holt, Rinehart and Winston, Inc., 1990, p. 159.

  • Becky Duval Reese, "Experiment and Idea in Contemporary Texas
    Sculpture," from "A Century of Sculpture in Texas 1889 - 1989", Catalog for Archer M. Huntington Art Gallery, University of Texas at Austin, June 1989, p. 150.

  • Tre Roberts, "The First Texas Triennial", Art Papers, May/June 1989, p. 61 - 62.

  • Zeitlin, Marilyn A., The First Texas Triennial 1988,   Contemporary Arts Museum,  Houston,1988,  pp.  42, 43.

  • Bill Lundberg, "Artist's Statement," from "The First Texas Triennial,
    " Catalog for the Texas Triennial, 1988

  • Claire Peillod, "Personne," Lyon Poche, France, July 1987, p. 20.

  • --, "Lundberg traverse l'Atlantique," Liberation, France, August 14, 1987.

  • Jamey Gambrell, "Texas:  State of the Art", Art in America, March 1987, p.
    115.

  • Dan R. Goddard, "Sculpture's Cutting Edge", San Antonio Express-News,
    San Antonio, Texas, March 2, 1987.

  • Dave Hickey, "Sixth Texas Sculpture Symposium Critical Reviews", from
    "Sixth Texas Sculpture Symposium," Catalog, March 1987.

  • Bruce D. Kurtz, "1987 Phoenix Biennial", Catalog for the Phoenix Art Museum, Phoenix, Arizona, August 22, 1987.

  • Lydia Foerster, "Power of movement pervades Laguna exhibit", The Daily Texan, Austin, Texas, April 2, 1987, p. 10.

  • Barbara Watt, "'Art That Moves' surprises, delights museum visitors", Austin American-Statesman, Neighbor, March 26, 1987, p. 6.

  • Bill Lundberg, "Artist's Statement," from "Film Installations"-Catalog for the Emily Davis Gallery at the University of Akron, Ohio,January 1987.

  • Joseph Jacobs, "The New Photography," from "This is Not a Photograph:
    Twenty Years of Large-Scale Photography 1966 - 1986", Catalog for the
    John and Mable Ringling Museum of Art, Sarasota, Florida, 1986, p. 13.

  • April Kingsley, "Stopped Time/Four Projected Environments," Catalog for Rockland Center for the Arts, West Nyack, New York, January 12, 1986

  • Bill Lundberg, "Corner" from"A Passage Repeated," Catalog for the Long Beach Museum of Art, 1985.

  • Peter Clothier, "'A Passage Repeated' at Long Beach Museum of Art", L.A. Weekly, October 18, 1985.

  • Shirle Gottlieb, "An experience in memory through art", Weekend Plus,
    Press-Telegram, Long Beach, California, October 11, 1985.

  • William Judson, "Bill Lundberg:  Two Works", Catalog for the Museum
    of Art, Carnegie Institute, Pittsburgh, Pennsylvania, October 1984.

  • --, "Message and Metaphor, Friedman Solo at Art Awareness", Woodstock
    Times, Woodstock, New York, September 6, 1984.

  • Donald Kuspit, "Introduction," from "Artpark 1984 Visual Arts Program", Catalog for Artpark, 1984.

  • Bill Lundberg, "Artist's Statement", ibid.

  • Kim Levin, "Sites for Sore Eyes", Village Voice, New York, New York,
    August 14, 1984.

  • Hanhardt, John C.,  1983 Biennial Exhibition,  Whitney Museum of
    American Art, p. 37.

  • Bill Lundberg, "Social Relations Between Chromatic Shadows", an essay
    for "Film as Installation," Catalog for The Clocktower, New York, New
    York, April 20, 1983.

  • Marita Sturken, "A Whitney Sampler", Afterimage, New York, New York,
    October 1983.

  • Judith Helfer, "Biennale 1983-erfreulicher Eindruck", Aufbrau, April 29, 1983.

  • John Russel, "Why the Latest Whitney Biennial Is More Satisfying", The New York Times, March 25, 1983.

  • __"Awareness of Art And Environment'"  Woodstock Times,  Aug. 4, 1983.

  • Sheila Schwartz, ed., "1983 Biennial Exhibition", Catalog for Whitney
    Museum of American Art, New York, New York, 1983.

  • Ann-Sargent Wooster, "Manhattan Short Cuts", Afterimage, New York,
    New York, April 1982, p. 17 - 18.

  • J. Hoberman, "Bombarding the Senses", Village Voice, New York, New
    York, January 27 - February 2, 1982.

  • Laurie McGavin, "Installation '82, Catalog for Museum of Art, Rhode
    Island School of Design, Providence, Rhode Island, January 15, 1982.

  • Edward J Sozanski, "Two avant-garde shows open", Providence Journal, Jan. 16, 1982.

  • Edward J Sozanski, "Visual feast satisfies avant-garde apetite",Providence Journal, Jan. 17, 1982.

  • Vincent Grenier, ed., "10 Years of Living Cinema", Catalog for Collective of Living Cinema, October 1982, p. 25 - 26

  • Jean-Paul Fargier, "Bill Lundberg. cinemagicien", Cahiers du Cinema, Paris,
    June 1982,  p. 90-91.

  • Vivien Raynor, "Film-Video Success at the Thorpe", The New York Times, New York, New York, May 17, 1981.

  • Carter Ratcliff,  "American Drawings",   Drawing Distinctions-American Drawings of the Seventies, Catalog, Munich, p.17, 95- 106, 1981.

  • Carla Stellweg, "Le sculture effimere di Lundberg," Drive In, Italy, January 1981, p. 13.

  • Daval, Jean Luc, Ed., "Bill Lundberg", Skira Annuel-Art Actuel, Editions Skira, S.A.  1980,  p. 92

  • Carla Stellweg, "Bill Lundberg's Discord", Review d'Art Contemporain,
    Bruxelles, Belgium, December 1980, p. 18.

  • J. Hoberman, "Low Tech, High Art", American Film, April 1980, p. 13.

  • Phyllis Plous, Dark Light-Extensions of Photography, Catalog.University Art Museum, University of California, Santa Barbara, Calif. 1980, p. 9

  • Robert McDonald, "This is Not a Photograph", Artweek, Oakland, California, November 29, 1980.

  • David Elliott, "Photos at MCA are more itch than effort", Sunday Sun-Times, New York, New York, April 1, 1979.

  • --, "NATPE Natterings", Variety, Wednesday, March 21, 1979.

  • Richard Hack, "Televisions", The Hollywood Reporter , March 9,  1979.

  • John Hallmark Neff, ed.,"Concept/Narrative/Document: Recent Photographic Works from the Morton Neumann Family Collection",Catalog for the Museum of Contemporary Art, Chicago, March 9, 1979.

  • Valentin Tatransky, "Structure", from Flash Art, Milan, Italy, January - February 1979, p. 17 - 20.

  • Deborah Perlberg, "Bill Lundberg", from ArtForum, January 1979, p. 66.

  • Valentin Tatransky, "Introduction", from "Structure," Catalog for John Gibson Gallery, New York, New York, 1979.

  • Valentin Tatransky, "Structure II",  Arts Magazine, New York, Sept. 1979, p.
    33

  • Bill Lundberg, installation script, ibid.

  • --, "Voice Choices", Village Voice, New York, New York, February 6, 1978.

  • Jane DuBose Jones, "Failure:  An Exhibition", Soho News, New York,
    New York, February 2 - 8, 1978, p. 27.

  • Carrie Rickey, "Bill Lundberg", Arts Magazine, New York, New York,
    November 1978.

  • John Russel,  "SoHo-No Longer A Starveling,"  New York Times, N.Y.,
    Nov. 19, 1978, p. 31.

  • "Goings On About Town",  New Yorker Magazine, New York, 1977.

  • Ann Sargent Wooster, "Bill Lundberg",  On Video,  Soho News, New
    York, June 9, 1977.

  • Fran Preisman, "William Lundberg and Alan Turner:  Illusions in the
    Gallery", Artweek, California, November 20, 1976.

  • Becky Cohen, "Two For the Show", The Reader, San Diego, California, 1976.

  • Joy Hakanson Colby, "Art", The Sunday News, Detroit, Michigan, April 11,
    1976.

  • Marsha Miro, "On Art", Detroit Free Press, Sunday, April 4, 1976.

  • Caroline Tisdall, "Four Artists", Arts Guardian, London, England, August 20, 1975.

  • David Hall, "The Video Show", Art and Artists, London, England, May 1975, p. 25

  • --, "The Video Show", Catalog for the Serpentine Gallery, May 1975.

  • --, Art & Artists, May 1975

  • Bill Lundberg, "Artist's Statement", from "Umbrella Experiment 4", Catalog for Midland Group, Nottingham, England, March 1974.

  • H.P. Adamski, M. Jordan, M. Schäffer, eds., "Progressionen 1", Catalog, Cologne, Germany, June - July 1974.

  • --, "The New Blind Man", Magazin Kunst, Graz, Austria, May 1973, p. 25.

  • --, "Un Vistazo al Arte de Vanguardia en Londres",  Mobelart, Spain,
    February 1973, p. 38.

  • Caroline Tisdall, "Avant garde, to all intents", Arts Guardian, London, England, 1972, p. 8.

  • Nigel Gosling, "Straggling onwards", 1972.

  • --, "Die Frischlinge", Catalog for the German Institute, London, England,  September 1972.

  • Paul Overy, "The New Art", The Illustrated London News, London, England, October 1972, p. 69.

  • --, Film & Video,"The third part of Gallery House's Survey of the Avant-Garde in Britain," Time Out, London, England, October 1972.

  • Rosetta Brooks,"A Survey of the Avant-Garde in Britain", Catalog for Gallery House London, London, England, August 18, 1972.

  • John Du Cane, "Film & Video" Time Out, London, England, October 13,
    1972., p. 37.

  • --, "Zeitgenössische englische Kunst", Kunst-Bulletin, Switzerland, October 1972.

  • Guy Brett, "Forward with the avant-garde", The Times, London, England, August 29, 1972, p. 6

  • Richard Cork,"An everyday story of the avant-garde", The Evening Standard, London, England, August 25, 1972, p. 13.

  • Caroline Tisdall, "Avant garde, to all intents", Arts Guardian, London, England, August 25, 1972.